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Cake day: July 22nd, 2026

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  • I agree that some of the elements I’ve criticized are intentional; I’m not entirely convinced that excuses them. The books are not really only from Covenant’s perspective, there are other POV characters. The “side quest” I mention is especially illustrative since its a quest Covenant explicitly refuses to get involved with and is then told by another character in retrospect (with characteristically little detail). Many of the major battles Covenant isn’t even present for and we get another POV character or the omniscient narrator.

    So while I agree that the central plot device and the associated moral questions are definitely intentional (and effective), I don’t think the narrative style or lack of atmosphere can be excused in the same way. I’ve no doubt the books were ahead of their time and influential (and I’m glad I tried them for those reasons) but I don’t think they hold up very well. If you do re-read, I’m curious what you think.












  • The question is not whether a peasant could be an interesting character. Obviously they could. A talented writer could make almost anyone’s life compelling. The question is whether that perspective serves the story being told.

    ASOIAF is a story about political power. The people who have the ability to affect those outcomes are the obvious focus.

    A peon’s POV would be telling a different story and shift the focus from the people competing to the people living with the consequences of the competition. That could be a great novel, but it would not advance the retelling of the dynastic struggle for control of Westeros.

    This is why I asked why you find the absence of lower-class POVs surprising. It seems like an obvious consequence of the scope and focus of the story.