Most people have extremely weird ideas of what’s considered piracy and what isn’t. Downloading a video game rom is piracy, but if you pay money to some Chinese retailer for an SD card containing the roms, that’s somehow not piracy. Exploiting the free trial on a streaming site by using prepaid visa cards is somehow not piracy either. Torrenting an album is piracy, but listening to a bootleg on YouTube isn’t.
YouTube noticed this at some point and is now happy to let everyone know how much pirated music is available on their site. One of their main points for shilling YouTube premium is how their music catalogue is way better than Spotify. Of course the piracy site has more. That’s always how it works. Spotify actually has to license the music on their platform and is subject to copyright law. They can’t just get the Neil Young discography from soulseek one day and wait until his estate notices, facing no repercussions whatsoever aside from agreeing to a takedown request. Imagine if Pirate Bay or Napster were considered completely above-board businesses just because they took down torrents if explicitly requested by the copyright holders.
Not that I’m complaining especially when a lot of the music on youtube isn’t publicly accessible anywhere else. It’s just been extremely strange to see this go from an “open secret” to something they’re shouting from the rooftops and face no repercussions for. In the future I want everything to be like that and I’d rather keep youtube how it is than see them get the punishment that by all rights they should be getting. It’s just so strange that this is the position things have ended up in.
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You’re missing some key facts:
The rights holders are getting any and all money on music uploaded to YouTube, and your entire premise is flawed.
I would also add that google very much understands the implications of streaming music.
This is speculated to be why you can’t get Youtube Premium without Youtube Music (in most countries?). Because all the license holders would lose their minds if they weren’t getting a cut (and apparently the ad revenue from music videos isn’t enough).
That’s the thing that drives me fucking nuts. Use 10 seconds of a song in your 10 minute video, and they get all the money for your work. They should get whatever the percent of your video is that their song occupies at best. If you’re talking/acting over top of their music, then you’re splitting that percentage in half.
I don’t know if they’re still there but it used to be if you looked at the description of any officially uploaded music on youtube, there’d be a laundry list of music rights groups for like a dozen countries/areas
Google doesn’t just get blanket rights to stream a song, they have to license the rights to play that particular song separately for each individual country where they want to stream it
His logic chain may have been flawed for his argument, but his premise is not wrong. YouTube providing a distribution platform for any type of music video means that content holders are putting music on there and suffering the same rules as anyone else. To the best of my knowledge, Google does not pay any additional license fees to content owners should they elect to upload a music video to the platform. The owner makes ad revenue just like all other creators. This effectively circumvents the costly licensing agreements that the likes of Spotify and Pandora have to enter into.
Do they still do takedowns for videos based on that content IDing if the video isn’t even monetized in the first place?
Like, I know youtubers who try to make money hate this, but what about youtubers who aren’t in it for the money but just want to throw content on the platform? Can stuff like AMVs actually stay up?
Because, frankly, I’ve found that it’s been pretty easy to dodge YouTube ads, by means of uBlock Origin.
If I recall correctly, the copyright holders can decide what they want to happen automatically.
The automatic options are something like:
They can also do stuff like issue copyright strikes but I believe that those have to be done manually since they can be so destructive to creators.
Tom Scott made a really good video about how copyright works in general and how it works on YouTube, I highly recommend it. https://youtu.be/1Jwo5qc78QU
Here is an alternative Piped link(s):
https://piped.video/1Jwo5qc78QU
Piped is a privacy-respecting open-source alternative frontend to YouTube.
I’m open-source; check me out at GitHub.
They don’t take it down often. But non-monetized videos will get set as monetized, ads will be added, and the profits go to the Copyright holder.
And there are notorious “blockers” - publishers and bands who copyright strike and remove all third party videos using their music. Reference Rick Beatos various videos and rants on this topic.
Well, the gigantic pile of low-end audio I ripped using yt-dlp begs to differ. Half a million tracks so far. Perfect for my OpenSwim headphones. Tiny mp3s to maximize my 4GB of storage, and shit quality to match what I’m getting from bone conductors (which are, for no compelling reason, compatible with FLAC).
I swim a lot, and have a lot of free disk space, so I promise this makes sense.