Cyberpunk 2077 faced a tough reception at launch, but with the Phantom Liberty DLC nearing launch, one CDPR dev feels the RPG was better than history records.
…uh, no. It was a hot mess at launch.
Cyberpunk 2077 faced a tough reception at launch, but with the Phantom Liberty DLC nearing launch, one CDPR dev feels the RPG was better than history records.
…uh, no. It was a hot mess at launch.
Whether there’s a mechanical clock or not is irrelevant, this is about roleplaying and immersion. The player should be able to play in a way that makes sense in-world without being punished for it.
A good open world game should have lower tension moments sprinkled along the main story so it gives the player time to chill and explore the world.
I liked how this was handled in Spiderman 2018 - after major plot points, the main character would say ‘looks like it’ll take a while before the lab results (or whatever) come back, now’s probably a good time to patrol the city’, and the main quest wouldn’t progress until you’d done at least one side activity - so if you wanted to just plow through the main quest it was just a small diversion, but it was also a great indicator that now was a nice time to spend some time playing around in the open world if you wanted to.
I named two outstanding open world games recognized as being in the top 5 games of all time that utilize the exact same plot mechanic, either the criticism applies to them (and you aren’t) or its invalid criticism.
You bring up immersion… rdr2 is considered the most immersive game ever. Rightly so. You still have imperatives you can ignore.
They do and i am, lots of games have this problem, which doesn’t make it less of a problem.
Though my point was mainly that the fact that “nothing actually happens if you wait” isn’t the issue, but rather the fact that it doesn’t make sense for your character not to always priorize the main quest.
I haven’t played fo4 because they neutered the dialogue, but in 3 there are similar stakes with you trying to find your father, and although that game isn’t perfect about this either, there are times where the lead gets colder, and others where it’s hotter, this counts as a shift of tension like i mentioned.
But that doesn’t change the fact that narrative and gameplay are almost always at odds with each other in open world games. Even if dialogue or game state changes a little there’s no need for you to actually follow the story if you don’t want. Compared to Majora’s Mask where there’s a very real time limit to push you towards progress in each cycle.
Yet that doesn’t mean developers should just give up trying to reconcile the two. There are ways to fit them together in a more satisfying manner and it’s a valid criticism to point out when they are not
CDPR did something nearly every RPG or Open world game does. They made the main quest have a time count down that overwhelms/looms of side quests.
Skyrim does it. Why am I helping this dude recover his friend’s bodies from a cave if Alduin the World Eater has returned and I’m the only one that can stop him. Fallout 4, is go find your infant son. BOTW, wtf am I doing fucking about when Gannon is on the rise? RD2, Arthur is imminently dying from TB but yet here I am romping around with no problem at all as long as I ain’t doing the main story.
V dying from the chip is just like that, it’s a flaw that many of these games have. Few games try to fix it, FNV has it so that the main quest factions that drive the story could do with your help/freelancing to put them in the best position. Morrowind makes it so you need to ingratiate yourself among the houses so you can be in a powerful enough political situation to deal with Dagoth Ur. This encourages you to do side quests.