I’m in a place a lot of people get trapped in: lost in 4 or 8 bar loop hell.

Whether I’m sampling or arranging chords and melodies purely with synths, I’m generally able to come up with really catchy loops but I nearly always hit a wall face first when it comes to expanding on what I’ve created.

The laziest approach to this (and one I kind of default to) is to just keep adding elements to the original loop (add some hats after a while, add another synth playing an arpeggio off to the right with the gain low, etc) , but this just leaves me with a really heavily dressed up version of the loop by the end - at its core, it’s just the same exact melody for 32 or 64 bars or whatever with a bunch of crap that’s been slowly tacked on over time.

Alternately, I’ll remove elements or remove the drums for a few bars… these things can be nice and are certainly very useful techniques for general variation, but they don’t tackle the core problem: creating actual melodic variation in what I’m working on.

Interested in hearing your tips and tricks for switching up melodies.

  • _bug0ut@lemmy.worldOP
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    1 year ago

    That’s actually a pretty novel way of approaching the problem. I’ll keep that in mind!

    I already kind of do that to an extent - usually with the original iteration of the loop (which is almost always the simplest version of it), but I should consider playing around with later iterations and knocking out some - but not all - of the other stuff I’ve added to it.