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Cake day: June 15th, 2023

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  • That is probably true for podcasts on exclusive platforms like Spotify, but those are few and far between. Even with those, I don’t think Spotify is delivering customized audio files to each user.

    It’s more like with broadcast TV, where they have general demographic information that they use to attract advertisers.

    The general case is a plain ol’ RSS feed accessed by any arbitrary client. There’s not much data to be tracked there. And there’s not a whole lot you can do with an IP address without introducing highly-visible problems. You can infer the general geographic location of your listeners, but that’s about it. If you try to do personal tracking via IP address, it’s going to be messy. Cell phones don’t typically have persistent unique IPs, and even most laptop users are going to be running on a shared external IP (e.g. at a college campus, business, or any ISP that does not provide users with a dedicated IP). And again, they’re not customizing audio files per user. It’s a mostly static medium.





  • I don’t think commissioning a work is ever as hands-on as using a program to create a work.

    I suspect the hangup here is that people assume that using these tools requires no creative effort. And to be fair, that can be true. I could go into Dall-E, spend three seconds typing “fantasy temple with sun rays”, and get something that might look passable for, like, a powerpoint presentation. In that case, I would not claim to have done any artistic work. Similarly, when I was a kid I used to scribble in paint programs, and they were already advanced enough that the result of a couple minutes of paint-bucketing with gradients might look similar to something that would have required serious work and artistic vision 20 years prior.

    In both cases, these worst-case examples should not be taken as an indictment of the medium or the tools. In both cases, the tools are as good as the artist.

    If I spend many hours experimenting with prompts, systematically manipulating it to create something that matches my vision, then the artistic work is in the imagination. MOST artistic work is in the imagination. That is the difference between an artist and craftsman. It’s also why photography is art, and not just “telling the camera to capture light”. AI is changing the craft, but it is not changing the art.

    Similarly, if I write music in a MIDI app (or whatever the modern equivalent is; my knowledge of music production is frozen in the 90s), the computer will play it. I never touch an instrument, I never create any sound. The art is not the sound; it is the composition.

    I think the real problem is economic, and has very little to do with art. Artists need to get paid, and we have a system that kinda-sorta allows that to happen (sometimes) within the confines of a system that absolutely does not value artists or art, and never has. That’s a real problem, but it is only tangentially related to art.










  • Another problem with DRM’d platforms is that you don’t really know how long this will be easy or even viable. I recall these tools breaking in the past as Amazon changed their encryption, and it took time for them to be updated.

    For anyone with a large library on Kindle, Audible, or any other DRM-infested platform, I recommend stripping that DRM sooner rather than later. You might think “I can always do it later” but there’s no guarantee that will be true.

    Also, shoutout to ebooks.com for having a dedicated DRM-free section and a simple checkbox to filter search results to only show DRM-free items. Not sure where to go for DRM-free audiobooks though. Anyone got suggestions? Personally I will simply not buy books with DRM, regardless of how easy it might be to crack it. If I’m going to have to break the law anyway (thanks, DMCA!), I might as well pirate it and find some other way to toss the author a few bucks.


  • I recently tried Bazzite, and I have to agree. Switching from a traditional Linux distro to an immutable distro is harder than switching from Windows to Linux. I’m not kidding. When it comes to immutability, my experience can be split into two general cases:

    1. I don’t notice any difference at all.
    2. It’s a giant pain in the ass.

    I have yet to encounter a scenario where immutability offered a tangible benefit. The supposed advantages seem rather abstract. I can’t break my system? Okay…but…well, I already had snapper for the rare occasions when something got royally borked. This is a problem that has already been solved without major compromises, so why are we now compromising so much to solve it again?

    It comes with 4 different package management systems (or 6 if you count Distrobox and Waydroid), and they all come with big caveats. I’ve had to reboot more in the past week than I previously had in the past year on Debian, because every time I need to install something from the main Fedora repo with rpm-ostree (which has been many times already), it needs to reboot. They recommend against using rpm-ostree, but there is no reasonable alternative for a rather wide array of software. It’s either rpm-ostree or build a whole mess of things from source and manage them manually. Both options suck very hard.

    Still, overall, Bazzite delivers. Everything you see on their web site works out of the box. It’s hard to recommend, but it’s also hard to criticize. I’ve never had a smoother gaming experience, and this is the first time I’ve ever had to spend zero minutes configuring my GPU drivers (outside of macOS, anyway). You get CUDA and ROCm out of the box. You get the latest drivers. It’s awesome.

    If you’re wondering if an immutable distro is right for you, the answer is probably “no”. But if you’re up for the, erm, “adventure” of learning this new paradigm, Bazzite fucking rocks.