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Cake day: June 16th, 2023

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  • Hi newcomers! Welcome!! You might see me around in most/all of the discussion threads for a week or two because I’m the sort of unhinged person who watches everything to start off (it gets trimmed down FAST, lol). Since it seemed to work last time, I’m going to continue to not have rikka make posts for stuff I don’t plan on continuing to watch, and instead review them in these threads.

    Even with my hectic summer, I managed to finish my shows before fall started, yay! Here’s my thoughts:

    Alya Hides Her Feelings - 6/10

    What could have been a strong romance anime sort of devolved into one part harem comedy (why??) and one part student council drama (and no parts romance). I really just wanted them to have an almost kiss or some sort of progress, seriously. The student council stuff was sort of interesting, but it kind of overwhelmed the back half of the season. I guess if/when it gets a season 2 I’ll see how I feel at the time. The two mains are really cute together, but I can’t stand a romance in a holding pattern.

    Shoshimin - 10/10

    Absolutely incredible, start to finish. The character writing was amazing, the dumb little mysteries were a delight (the charlotte episode was a standout for me), and the big plotline at the end both felt like a culmination and delivered on the excellent mystery writing the series had built up so far, but on a larger scale. The leads parting ways could have ruined the season, but instead it felt natural and I’m excited to see what happens next. While I wait, I might have to finally go check out Hyouka.

    Twilight Out of Focus - 7/10

    A cute little anime with big ambitions, but falls a little short. I think it’s cool that it tries to be so cinematic when the story revolves around the film club. The problem is that it’s just so cheesy all of the time, lol. I enjoyed watching it (except the third couple, who I hate together), but I don’t know that I could really recommend it. It’s at least nice to have more gay anime that’s not full of consent issues, though.

    Yatagarasu - 9/10

    How were more people not watching this one?? This was a fantastic show, with some shocking and (mostly) earned twists, that delivers a story better than its source material could. It nails both the little character moments and the broader mysteries, and hints toward future plotlines I’m very sad we may never see in anime form, if this is as unpopular as it looks. Seriously, go watch it if you like imperial court dramas.

    Bonus: Odd Taxi - 6/10

    My friends and I watched this together (one of us had seen it before and insisted), and after hearing many, many recommendations for it, I sort of expected to be more wowed by it. IDK, I wasn’t ever really attached to any of the characters and it felt like the mysteries weren’t really built up in a way where you’d have that satisfying “oh, if I’d paid more attention I could have figured that out!” moment. The most invested I ever got was the few episodes where I thought Kakihana was about to be killed, but they deprived me of even that small joy, lol. I also felt like some of the twists at the end - Odokawa’s brain damage in particular - ultimately didn’t really matter to the story and felt like a twist for twist’s sake. But I think a biggest problems I had are that I’m both a slow reader and a hater of manzai-style comedy, so to me the dialogue was hard to follow and dull - I found out too late that the anime actually has a dub, which I think would have solved one of those problems, but I’m not sure if it would have fully fixed the show for me. I know a lot of people really like this show, and I’m glad y’all have something you really enjoy, but ultimately I don’t think it’s as good as people build it up to be.

    My friends and I are still working through their three picks for this season (otokonoko, dahlia, and elusive samurai) because we run a couple weeks late, but i expect high scores on two of those (sorry dahlia, lol) when we finally finish them.


  • This one is a great example of why I don’t read descriptions or watch previews, because the dumb twist got me, lol. I was pretty convinced I was in for some bland edgy video game adventuring slop, but the bait and switch actually pulled me in quite a bit. I’m not sold on it quite yet, but the character writing reminded me of Eminence in Shadow, an all-time favorite of mine that also had a bit of a slow start, so I’m hopeful at least. The second half of the episode had some good comedy beats and our cast seems to be filling up with weirdos, so I can see it being a very solid show if it finds its feet. But, ultimately, the premiere promised more than it delivered, so we’ll have to see. I’ll give it another episode or two at the very least. 3/5


  • Wow is this main character unlikable, which for a show with only one central character is a pretty major blunder. He claims that he’s making himself OP, but like, buddy, you’re just relying on the secretly OP skills and items that you scoffed at and then got forced on you. None of this is due to your efforts. There were times where it felt like the story was hinting toward an unreliable narrator (like how the different cliques at school are drawn a little differently, as if he’s making divisions that don’t really exist), but ultimately the anime feels too earnest for me to have any real hope of the story turning that way (if anyone is familiar with the source material, please correct me if I’m wrong!)

    Ultimately it’s fine for what it is, which is a popcorn isekai anime with no substance backing it up. I can see someone enjoying it, but only after exhausting other, better options. I give the premiere a 2/5.



  • The summer’s been a bit busy, so I’ve unfortunately fallen off some of the stuff that I meant to watch and fallen behind on the rest, but I think things are actually settling down now.

    For our weekly anime time, my friends ended up picking:

    • Senpai is an Otokonoko - an absolutely beautiful look at the complexity of figuring out gender and sexuality with some truly gut-wrenching depictions of transphobia and homophobia, both direct and indirect.
    • Elusive Samurai - stunningly animated action (Cloverworks is doing the thing they do) and it has made us hopeful that some of the historical figures might finally get english language wikipedia pages (we keep complaining that there are no resources to look at about how close this comes to the real story, lol)
    • Dahlia in Bloom - a bit of the odd one out because it, um, looks terrible and the story is a bit rough as well. We’re enjoying the slow-burn romance (it’s a bit too slow for me, tbh) and pointing at all the weird animation quirks (we were SHOCKED when, after episodes of making fun of horse animation errors, we got an up-close shot of a horse and learned that this world had 8-legged horses the whole time and they didn’t tell us, so those were not errors after all)
    • Odd Taxi - I slept on this when it came out because the dialogue felt really stilted to me and I couldn’t get my brain to focus on what was being said, but one of my friends insisted, so here we are. It’s definitely gotten better in the dialogue department, but I don’t really see why people call it a masterpiece, at least not yet. We’ll see.

    As for my own shows, I had to make some cuts and I’m still a bit behind on it all, but I’m watching:

    • Yatagarasu - This one keeps surprising me with its weird twists, lol. The big one two-thirds of the way through made me go read the manga (I may try to find translations of the novels as well), and I learned that the anime blended the first two novels together into a single story (they cover the same time period, but different characters, as I understand it), and I think the story was much better for it. The manga’s pacing, at least on the ladies’ side of the story, was really janky and the tone felt all wrong.
    • How to Become Ordinary - Why is this so cinematic?? I really like all the subtle character moments in this show and the extreme low stakes of (most of) the mysteries.
    • Twilight Out of Focus - as far as BL anime goes, it’s fine. It’s sort of endearing how seriously it takes itself and how artsy it’s trying to be, but I don’t know that it works that well.
    • Alya Sometimes Hides Her Feelings in Russian - I really liked this as a romance at the start of the season, but I’ve become more disinterested as it’s (predictably?) become a harem anime. I’ll probably finish out the season, but if there’s no romantic progress, I won’t be back for a season 2.

    As always, I’m going into the season as blind as possible, though I am tentatively hyped for Ranma 1/2.

    Also, I’m not sure if this counts as the new season (or as anime, since it was sort of a slideshow), but here’s my thoughts on the first(?) fall show:

    Murai in Love

    It only escaped the extreme creepiness of its premise by being painfully dull in all aspects. I’m not one to complain too much about animation quality (I’m watching Dahlia In Bloom this season), but the writing and direction were the things that really dragged it down. I could barely force myself through it (I have my pride as a Watcher of Every Anime, even if it’s meaningless), and it didn’t get even a single nose exhale out of me, let alone a laugh. The one good thing I have to say is that J.C.Staff know how to make pretty people and the ninja guy is definitely pretty. 1/5


  • A few things:

    • What wisp does for herself she also does for the group. Your teammate can afford to bring a frame that’s not survivable enough normally because of vitality mote, and with very little coordination from the group.
    • Because of the way reservoirs work, that strength requirement isn’t as much of a tradeoff as it seems. Wisp can afford to tank her efficiency into the ground and still function very very well in any mission where you can stay near your reservoirs.
    • You compare her to arcanes, but those are a very large farming investment to get to high levels, whereas she drops from a boss fight / relics. If you’re one of the players that already has everything the comparison is fair, but if you’re looking at a new thing to acquire the two are very different hurdles.

    Ultimately she’s probably rarely the best possible choice, but part of the reason that she’s considered “the best support in the game” is that she does so much with so little investment or effort (and that she was given that title before a bunch of older support frames got buffed to stand on par with her)


  • I am under no circumstances saying you can’t criticize art or say that the writing was bad or whatever you seem to think my position is.

    Writers can and do get fired for not doing the job they were hired for and rarely get to lead the creative process (and usually if they do they’re like, writer/director, or a big name). All I’m trying to say is that a worker can do a good job within the bounds they’re given and still have the result be terrible because the bounds were terrible.


  • You seem to be giving a LOT of agency to writers for the stories they tell. Some stories are going to be something writers worked hard on wanted to write, and in those cases ya they should be blamed for the resulting flaws, but many times they are constrained by the instructions they’re given.

    To go back to the metaphor, did the worker decide that the stuff you need goes out of your reach or are they putting it where they were told to?


  • “Just following orders” absolutely does excuse bad writing as long as it’s not harmful. I wouldn’t get mad at a writer of a thing a studio ruined just like I wouldn’t get mad at a grocery store worker for rearranging the shelves for the fifth week in a row. Just because I don’t like it doesn’t mean doing a stupid and pointless job makes them a bad person. If the writing is racist or whatever, sure, they’re complicit, but writers have to eat and it’s not morally wrong to write a boring script if that’s what your boss is asking you for.




  • I read the books over and over as a child and knew the anime diverged from them but holy shit none of that sounds like the story I’m familiar with except the name jasmine and the fact that there are mountains

    Edit: I skimmed/searched the linked page and that description doesn’t actually sound accurate to the show as a whole, so maybe that’s just a singular episode?

    Edit 2: It sounds like the thing OP was looking for wasn’t Deltora Quest after all, which makes me extremely skeptical your description has any truth to it at all.


  • There are no rules that can be made ahead of time that catch all the trolls, whilst not gatekeeping innocent folk. Allowing space for people to exist on their own terms means acting reactively, and means that trolls will slip through the cracks sometimes. That is by design, because the alternative is gatekeeping.

    I absolutely agree. I think people (myself included) were concerned because the (necessary) ambiguity of rules seemed to be opening the door to times when a user would feel pushed out of spaces by having to tiptoe around other users that they think might just be trolls. It seems to me from talking to you about it that there is generally good faith assumed on all sides, which definitely sets my mind at ease.


  • I appreciate the clarity on what exactly does and doesn’t get someone banned. That all seems very reasonable to me, and largely answered my main question. Feel free to disengage with this conversation guilt-free if you think my followup here isn’t worth your time. Unfortunately I have reddit-brain and feel like I need to re-explain myself when I feel like i’m not being understood.

    With that out of the way: I think you’re missing the point about the examples.

    On the User A side, I’m not talking about directly interacting with minors. I’m talking about indirectly interacting with everyone, including minors, but also including adults who don’t want to interact in a sexual manner with randos. There’s definitely a difference, but I think it’s the same sort of effect if User A asks a minor to use their sexualized pronouns vs if they label themselves with sexualized pronouns and then go into spaces where minors may interact with them.

    On the User B side, I feel like while “it” is similar in some ways to slur pronouns, it also has some fundamental differences. For one, “it” is already a word we use in other contexts and is not one people can really avoid even if they try, and for another, most “it” pronoun people I’ve encountered intend it to be uses in the object sense, not the reclaimed slur sense. Would User B be treated differently moderation-wise if their pronouns were different reclaimed slurs, like the n-word? I know that there’s no amount of complaining about misgendering that could convince me to use certain slur pronouns.

    I do agree that most people are going to be reasonable and those with more controversial pronouns will likely give those who are uncomfortable an out (in the form of alternate pronouns), but I don’t think those people are who anyone is really worried about here, because they seem chill as hell, lol. I get that we’re talking about edge cases of edge cases here, so maybe the whole thing is purposeless anyway.


  • I think looking at a more concrete hypothetical would be more clarifying for people.

    Let’s say that User A has their pronouns listed as “daddy” and User B has their pronouns listed as the t-slur. User C finds both of these uncomfortable to use, A because it feels like they’re being coerced into a sexual interaction with another user, and B because they’ve been personally victimized by that slur before and being around those that use it (even in a reclaimed sense) hurts them (and I am confident this is a thing people are sensitive to on this instance because I’ve seen people put trigger warnings for its usage before). User C wants to continue to interact with their community, so they use “they/them” for A and B instead. What happens next, from a moderation standpoint? What if they had conspicuously avoided pronouns by using “User A” and “User B” exclusively?

    I think there have been cases that go up to or put a toe over the line of acceptability for some people, and some of us are confused/concerned about how far things go. It seems like you have a clear idea of what is and isn’t acceptable, but your hard line hasn’t translated well into the heads of other people, and it creates an ambiguity for the rest of us who see a very blurry spectrum. I know you have a very hard (and usually thankless job) and from both seeing your work and from benefit of the doubt, I’m sure you want to do right by the people here, but I think some clarity would be good for people. In the above example, if User C doesn’t know what will or won’t get them kicked out of their communities or even the instance, they may engage less and ultimately feel pushed out of their space, and so moderation really needs to be a balance of the needs of Users A & B and User C.

    And to be clear, I don’t think anyone is asking for permission to bully someone with unconventional pronouns, nor permission to tell them their gender identity is wrong or invalid (If there are, those people do not belong here in any capacity). I think the question is mostly, which neopronouns requests are unreasonable enough for people to be allowed to use backup pronouns or just the user’s name instead.


  • Makoto’s dad is the real MVP. It’s one thing to support your kid if they come out, but it’s another to proactively say “if you’re not sure, you should give it a try and see how you feel”. On the other side, it’s hell on earth to have a parent make your struggles about them, and Makoto’s mom will not be forgiven.

    I thought it was interesting that Makoto kept using “boku” even at the end of this episode, seemingly implying that they’ve settled on being a boy who likes crossdressing, though I still don’t trust that that will hold and suspect they’re deep in egg mode.

    Also, Ryuuji, I’m still on your side here but you gotta step it up. You were absolutely put to shame this episode.



  • It’s the subtle moments that I think really pull the show together. When Masha meets Kuze you can see the moment her brain goes from “this is my future brother in law so I should make friends with him” to “oh no, this is my longlost childhood friend / first love”, and we never get any exposition explaining it, nor do we get any when she test him by speaking russian to him. Beautiful storytelling.

    I’m honestly really sad for Masha. It’s clear she’s going to ultimately lose the love triangle, and I think she already knows that. The Sa-kun she was in love with is in the past, and while there are still some lingering feelings between them, they don’t have a connection anymore like Kuze does with Alya. And Masha seems like she understands that doing anything other than letting those feelings go and moving on would ultimately do more damage to her sister and their relationship than it would do any good for herself or Kuze. But maybe that’s just me reading into things a little and we’ll end up with another mess like over in the other sister love triangle anime, lol.