Statements dreamed up by the utterly deranged

To me, “retro” just means something that is now only possible for consumption through the previous, now impossible or highly impractical, acquisition of said medium. PS3? Retro. 3DS? Retro.

I had this conversation with many a friend. It seems that a lot of people fail to see the distinction in how Urasawa decides to construct the (sometimes excessively) over-complicated structure of his work. The fact is that the man is, at heart, a postmodernist: he cares less about traditional tropes such as character development and is rather much more interested in exploring various point of views of a single event, relating the events of his fiction to the real world and inciting the reader to form his own opinion on a subject, a story or a person. I personally love it, being the rive-gauche comp lit post-grad that I am; but I see how it might not be for everyone. ESPECIALLY because the man takes his sweet time in developing plot points. I’d say Monster is by far his most “standardized” work, as in that it’s quite understandable to see the evolution of the MC while keeping the eyes on the plot. But things like Billy Bat or 20th Century Boys, imho, pushed the manga medium to a whole another level that we’re starting to see as vibrantly influent and foretolding just now with some of the more high-brow stuff made by people like Inio Asano, who are more interested in atypical structures and influences external to the classical manga world.

WTF was this chapter!!!

Hardest I’ve played: BW2 on Hard difficulty (why they didn’t make it a standard option in all subsequent installments is a mystery to me) Easiest: Alpha Sapphire and Omega Ruby. Literally almost impossible to lose, even when doing Nuzlockes.

That don Antonio mojo

In Italy I guess the big one is Subito.it

Yes, that’s the author I was talking about. You could check out The Alchemist, his most famous novel.

Coelho? My only fear is that you might consider it a bit shallow.

I’m from Italy as well. I always like to remember a quote from Charles Mingus, who at some point in his career had an entire black band with the exception of his sax player, Charlie Mariano. When asked about it, he answered something along of the lines of “He’s not white, he’s Italian.”

Sauro my beloved

While it’s true that “all elections are won on lies spewed by the parties”, it’s always a matter of context. The media landscape of the past 10 years has both shrunk and inflated at the same time: centralized social media now overwhelmingly represent the main source of information from which people read news and shape their views of the world. The fact that some of those social media have more or less explicitly stated their affiliation to some sort of government which might make their interests offers a worrying scenario: in one case, the state can require the manipulation of information so as to steer the results of election towards governments that might create strategic geopolitical tension or sweetened deals (i.e. China and TikTok). On the other, through the “loaning” of centralized social media to the highest bidder can create enormous echo chambers which corrupt the results only for symbiontic, growing entanglement of social media corporations into forms of government (i.e. Elon Musk in 2024).

Tl;Dr: Social media are a bigger problem than good old politicians’ lies because they can be easily manipulated by external forces and because everyone uses them.

It wasn’t that dry to the touch, actually! I was out on an excursion for a mycology class and one of the teachers identified it. Apparently it’s a native species around here

Shivers [Impossible]: Success.

Ehhh, while it’s true that some vids nowadays have captions, this isn’t always the case. Plus, consider that a lot of content on the internet isn’t necessarily in the language Kids think in (when they don’t come from anglo-speaking countries). And, once again anecdotal experience but I have to factor that in, “digital natives” don’t seem to communicate in written form as much as we do. Blame voice messages, I guess.

Of course I don’t think manga is bad, literature Is literature after all. As I said, it’s just that the interest in the material Is filtered through an appreciation of formerly consumed visual media, and even then It remains “an interest”, rather than something they actively look for. Monetary factors have also to be looked in: not every country can afford to print out Shonen Jump.

As a teacher in lower secondary school, kids don’t do any of that. They read physical media sporadically, and the main kind of digital media they consume is through IG and TikTok, furtherly filtered by the algorithm to appeal to their interest. The only kind of excitement I see in their eyes when talking reading is when talking manga, but even then it’s mostly because they got there through anime (dubbed, so not even with subs) first. Kids don’t read half as often as we did twenty years ago, and teachers get the blame for trying to push some sense in them through lecture.

Please do yourself a favor and read the original graphic novel this slop Is based upon. McGuire’s Here is stunning, innovative, incredible and imaginative. Which makes me even mas when thinking it’s being turned into a movie.

As someone else said, it’s all about creating interesting posts first. I know that’s the most difficult part, but the community needs to organically grow in quality of posts first (not that those that are already in here are bad, it’s just that they don’t create much engagement).

I believe it’s more a matter of intent. The whole movie was sold to audiences as a portrayal of what America would look like under martial law and yadda yadda, while Garland seems more fascinated and preoccupied with the role of journalism and the meaning of images (photography but, as expected, cinema) in the context of narrations and in what perspectives those narrations gain through context.