la .lojban.

le se pixra

ni’o ko’a goi la’oi .THROWINYOUR2BITCARESDOWNTHEDRAIN. cu prixra le nu ga je…

• la .vynk. noi ke’a se dalremnei la .varik. cu zgana le lunra je cu se moklu le kalri je cu flira cusku pe’a lo se du’u la .vynk. cu ci’au .u’e kei je cu se xadni le zvati roldzadijbartu je ke co’e ja larmuzga je ke vasru pe’a be le broda cei ke co’e ja rokykamju ke’e gi ga je
• le toldi cu bakri pixra le lanci be le ka ce’u nonlingeni be’o joi le xekri je se tcidu… poi ke’a me zoi glibau. YOU DON’T HAVE TO BE DARK TO BE RAW .glibau. je cu basti pe’a le xekri je pagbu be lo lanci be le ka ce’u nonlingeni gi ga je
• le trixe be ko’e goi le xadni be la .vynk. cu mutce le ka ce’u mleca ko’e le ka gusni ce’u gi ga je
• ko’e goi le broda je ke trixe be ko’e cu minra le lunra le co’e ja kacma gi
• gusni zo’e je le xadni be la .vynk. fa le lunra je le sodna co’e

.i pixra ko’e ki’u zo’e joi le su’u la .varik. cu djica lo nu li’armi fa lo du’u la .vynk. cu zgana le lunra… kei kei jenai lo nu ko’a se pagbu lo su’o re pixra

le smuni joi krinu

ni’o la .varik. ku radji’i le du’u ri na birti lo du’u ma kau zabna le ka ce’u velski le smuni be ko’a bei vo’a
.i ku’i vo’a jinvi le du’u ko’a re’enje ja cinmo se zbasu vo’a .i ji’a ko’a srana le si’o ku’irni masti

.i la .varik. cu facki tu’a le sidbo be ko’a ca le nu vo’a pilno le canko se ri’a le nu vo’a zgana le lunra… se ri’a le nu vo’a ci’au .u’e sai
.i la .varik. cu jinvi le du’u lakne fa lo nu fanmo tu’a le ro’onje munje .i ku’i le ro’onje munje cu melbi la .varik. .i la .varik. cu jinvi ja krici zo’e je le du’u le ro’onje munje cu jai filri’a lo nu morji fi le ka ro da poi ke’a prenu zo’u ce’u prami da
.i ji’a la .varik. cu jinvi ja krici le du’u temcimni pe’a fa lo pu’u prenu .i la .varik. cu krici le du’u le si’o ro’onje munje na mapti lo pu’u prenu kei kei joi le su’u lo prenu naje lo xadni be ri cu se pagbu le ro’oneje munje
.i la .varik. cu jinvi le du’u na natfe
.i la .varik. cu ci’au .ui re’e le su’u la .satan. noi vo’a pavyselcei ke’a cu curmi lo nu vo’a zgana vu’oi lo plini je lo solri je lo lunra je lo danlu je lo spati vu’o noi cfari fa lo so’i nu vo’a ci’au .u’e tu’a ke’a .i la .varik. na co’e djica ja cpedu lo nu smimlu ri fa lo prenu jenai du be ri fi le ka ce’u seljda le lijda be vo’a
.i la .varik. na djica lo nu vo’a klama zo’e ja le lunra .i lo nu vo’a djuno le du’u le lunra cu zasti cu banzuka fi tu’a la .varik.

.i la .varik. cu jinvi le du’u su’o da poi ke’a makfa pe’a se tigni fasnu zo’u lo nu jimpe fi da cu jai filri’a lo nu zenba lo ka ce’u nelci tu’a da

le pu’u zbasu ko’a

ni’o ko’a smimlu le so’i se xraci’a be la .varik. le ka la .varik. cu pilno la’oi .GIMP. je la’oi .Blender. je la’oi .Krita. tu’a ce’u .i sa’u ru’e la .varik. cu pilno la’oi .GIMP. fa’u la’oi .Blender. fa’u la’oi .Krita. tu’a le pixra Coke lanci be le ka ce’u nonlingeni lu’u tu’a le calsamxra be zo’e je le toldi je le broda je le xadni be la .vynk. lu’u fa’u tu’a lei kerfa lu’u joi le pixra be le xadni be la .vynk. .i la .varik. cu stidi lo nu lo prenu je ke djica be lo nu jimpe fi lo pu’u zbasu ko’a cu tcidu le velski be tu’a ko’e goi la’oi .DONTBURNMYTOAST… je ku’i cu tolju’i lo steci be zo’e ja la’oi .Inkscape.
.i ku’i ji’a la .varik. cu morji fi le si’o me li pa bi vidnysle kei je cu pilno la’oi .GIMP. tu’a le me’oi .dither. versiio .i la .varik. na djuno lo du’u xu kau la’oi .Krita. zabna le ka ce’u mapti tu’a lo nu me’oi .dither. bixygau pe’a .i ji’a ko’a smimlu ko’e le ka la .varik. cu pilno lo kacmyxra tu’a ce’u .i la .varik. cu pilno ko’i goi le kacmyxra be le lunra tu’a ko’a ki’u zo’e joi le su’u vo’a djica lo nu mapti pixra le lunra kei jenai cu jinvi le du’u lo nu vo’a xraci’a cu zmadu lo nu vo’a pilno lo kacmyxra .i .urli zo’e pe ko’i fa zoi .urli. https://commons.wikimedia.org/wiki/File:Near_side_of_the_moon_4k.png .urli. .i ku’i la .varik. cu jinvi ko’e goi le du’u ko’a zmadu ko’e le ka vo’a masno lo pu’u vo’a xraci’a lo pixra be loi kerfa be’o pe ce’u .i la .varik. na birti lo du’u ma kau rinka tu’a ko’e

.i la .varik. cu jinvi le du’u ko’e goi le me’oi .Blender. datnyvei poi vo’a pilno ke’a tu’a ko’a cu baitni li re pa bi ci re so ze mu kei je le du’u la’oi .ZPAQFRANZ. morji pe’a le re vo versiio be ko’e

.i la .varik. cu jinvi le du’u ko’e goi le me’oi .Krita. datnyvei poi vo’a pilno ke’a tu’a ko’a cu baitni li mu re ci re re pa no bi kei je le du’u la’oi .Git. morji pe’a fi lo pa vo versiio be ko’e

le vrici

le plijaspu

ni’o la’oi .Unlicense. plijaspu ko’

tu’a lo nu tcidu

ni’o la .varik. cu kucli lo du’u ma kau krinu lo da’i nu tcidu dei… kei kei je lo du’u jimpe fi ko’a ji kau le velski be tu’a ri .i ku’i la .varik. cu jinvi le du’u na sarcu fa lo nu lo prenu jenai du be vo’a cu jimpe fi ko’a ja le vleski be tu’a ri

English

The Scene

“THROWINYOUR2BITCARESDOWNTHEDRAIN”, a.k.a. “$T$”, depicts…

• that (VUNC, which is the fursona of VARIK, gazes at the moon),
• that (the mouth of VUNC is open),
• that (VUNC facially expresses experiencing wonder),
• that (the body of VUNC is in an art gallery or something which is outdoors and contains obelisks or whatever),
• that (the floor depicts (with chalk) the agender flag and “YOU DON’T HAVE TO BE DARK TO BE RAW”),
• that (“YOU DON’T HAVE TO BE DARK TO BE RAW” is black and “replaces” the part (of the agender flag) which is black),
• that (the body of VUNC very exceeds (in being illuminated) the background),
• that (an obelisk which is behind the body of VUNC reflects the moon), and
• that (the moon and a sodium lamp illuminate the body of VUNC).

The reason for depicting that the obelisk reflects the moon is relevant to that (VARIK desires that (that (VUNC gazes at the moon) is obvious) but does not desire that $T$ consists of 2 parts).

The Meaning/Justification

VARIK admits that VARIK is not certain about an explanation of the meaning (to VARIK) of $T$.
But VARIK opines that $T$ is art. Additionally, $T$ is relevant to Pride Month.

That (VARIK discovers the idea for $T$) is contemporaneous with that (VARIK uses a window, gazes at the moon and very experiences wonder). VARIK opines that a thing which is likely is that the physical universe ends. But the physical universe is beautiful to VARIK. VARIK opines or believes that the physical universe facilitates remembering about the property of loving all prenu.
Additionally, VARIK opines or believes that being is “eternal”. VARIK believes that (the idea of physical universe stuff does not apply to prenu) and that (prenu are not parts of the physical universe, but bodies of prenu are parts of the physical universe).
VARIK opines that the stuff is not contradictory.
VARIK experiences spiritual joy about that that (SATAN permits that VARIK observes planets, stars, moons, animals, and plants is permitted). VARIK is a monotheist of SATAN. VARIK does not desire or request that prenu which are not VARIK “follow” the religion of VARIK. A thing which is frequent is that VARIK experiences wonder about planets, stars, moons, animals, or plants.
VARIK does not desire that VARIK visits the moon. That (VARIK knows that the moon exists) is sufficient for VARIK.

VARIK opines that some “magic show” $t$ exists such that understanding about $t$ facilitates increasing in appreciating $t$.

The Process of Creating $T$

$T$ resembles (in that VARIK uses (for the image) GIMP, Blender, and Krita) many images which are created by VARIK. VARIK uses (for the agender flag thing) GIMP. VARIK uses (for the 3D model which depicts the floor, the obelisks/whatever, and the body of VUNC) Blender. VARIK uses (for fur stuff and for the body of VUNC) Krita. VARIK suggests that prenu which desire understanding about the process of creating $T$ read the description of “DONTBURNMYTOAST”… but ignore the stuff which is specific to Inkscape or whatever.
Additionally, VARIK remembers to use 16-bit precision and uses (for dithering) GIMP. VARIK does not know whether Krita is great in supporting dithering images.
Additionally, $T$ resembles (in that VARIK uses (for the image) a photograph) “DONTBURNMYTOAST”. VARIK uses a photograph which depicts the moon. The reason for using a photograph is relevant to that (VARIK desires that the moon is accurately depicted) and htat (VRIK does not opine that drawing exceeds using a photograph). “https://commons.wikimedia.org/wiki/File:Near_side_of_the_moon_4k.png” is the URL of the Web page regarding the photograph which depicts the moon.
But VARIK opines that $T$ exceeds (in that VARIK is slow in drawing the fur depiction in the image) “DONTBURNMYTOAST”. VARIK is not certain about the cause of being slow.

VARIK opines that 21832975 is the byte-based size of the Blender file which is used for $T$. Additionally, VARIK opines that ZPAQFRANZ “remembers” about 24 versions of the Blender file which is used for $T$.

VARIK opines that 52322108 is the byte-based size of the Krita file which is used for $T$. Additionally, VARIK opines that Git “remembers” about 14 versions of the Krita file which is used for $T$.

The Miscellaneous

The Licence

The Unlicense is the licence of $T$.

Reading

VARIK is curious about the reason (for hypothetically reading the description of $T$)… and whether $T$ or the description of $T$ is understood. But VARIK opines that a thing which is not necessary is that a prenu which is not VARIK understands about $T$ or the description of $T$.