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  • Damarcusart [he/him, comrade/them]@hexbear.net
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    2 个月前

    It’s a cautionary tale about how adventurism and great man theory gets in the way of genuine revolution. Sarah Connor tried to adventure-time instead of organising and the movie shows us that she is wrong for it, it isn’t until she works with others instead of trying to be a solo adventurist that she can actually start achieving her goals.

    Also the bad guy is a cop. Curious how you didn’t feel a need to mention that in your analysis.

  • AssortedBiscuits [they/them]@hexbear.net
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    2 个月前

    In 2026, the main reason why I care about T2 is the fact that almost every single weapon from Doom 1 is in the movie (the pistol, the shotgun, the chaingun, the rocket launcher, and the plasma rifle). I will one day email John Romero this question, who’s apparently pretty good at answering questions from randos.

  • GalaxyBrain [they/them]@hexbear.net
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    2 个月前

    I can’t quite tell if this is a joke or not. Either way, im not huge on T2 either, the first one is dope but that’s kinda where I leave it.

    If you are being sincere youre not doing a fair critique of the film at all

    • ashinadash [she/her]@hexbear.netOP
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      2 个月前

      I am utterly serious. Felt this way since I first watched it, and the ability to recognise its political elements amazingly made it worse.

      I’m curious though, how is it unfair?

  • FourteenEyes [he/him]@hexbear.net
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    2 个月前

    Canonically they didn’t stop the war because by the time we get to Terminator Zero it’s explicitly acknowledged as a near-eternal time travel war that is essentially turning into a stalemate because SKYNET and humanity keep canceling each other out and trying again

    • ashinadash [she/her]@hexbear.netOP
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      2 个月前

      It makes sense her impulse after the traumatic even of having that realization by watching a robotic death machine kill her messiah son’s father in front of her wasn’t to join the DSA but become an unstable doomsday prepper.

      Not untrue for her character I guess, but one wonders how she became the woman that Kyle Reese talks about from the future, and to me it doesn’t feel like we’re watching her develop about it. Also data center, computer factory, tomato tomato.

      You also leave out the part where she spent years dragging her son around the globe and dating military men and mercenary guys in exchange for training her son in guerrilla warfare.

      I completely forgot about the FUCKING EX-CIA WEAPONS DEALER IN TEXAS OR NEW MEXICO, holy shit lmao. This is not helping the idea that T2 character assassinates Sarah Connor imo.

      Also he is a guy doing his job, he wasn’t even working for an evil weapons contractor just a normal computer company,

      Sorry but there are lines in T1 about how Skynet resulted from military computers made by Cyberdine, which is kind of in keeping with how basically all of western computing is NATO capture and can trace its roots to DARPA. Even for what Miles says, there is no realistic way he wouldn’t know, imo that’s like Boeing engineers.

      But do you see what I mean? The film is a narrative in which all of the stuff I said about it is the probable and reasonable thing to happen. It’s a convenient story in which no systemic change or organising of resistance forces or anything is required. Just tell the engineer he’s doing a bad and he’ll blow up all the research at HQ. Just like in real life, right?

      the whole concept of two time traveling robots duking it out in the modern day over the life of a single kid makes for some good action.

      Something I’ve seen people miss about my lolcowing film analysis or whatever, is that I’m not coming at movies like “this is ontologically evil and impossible to enjoy”. I’m the fun police, but I still watch and enjoy Robocop despite it being sly copaganda, or The Running Man even though it’s a weird wrestling fan’s movie. I just think it’s important to look at what movies like this are saying with their stories, being products of the Hollywood military industrial complex and shit.

  • Awoo [she/her]@hexbear.net
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    2 个月前

    As if shooting the designer of a technology will somehow prevent someone else from inventing that technology. You wouldn’t prevent the future from happening you’d just change the timeline of events. That goes for the company as well.

    • Krem [he/him, they/them]@hexbear.net
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      2 个月前

      Terminator 2 is not great but salvageable, not as good as Terminator 1 but still acceptable. making Schwarzenegger a cute relatable murder-robot was an odd choice though, and led to the death of this franchise (but I guess that’s a good thing. franchises are a bourgeois decadence)

      but I did see the post the other day where the official party line was that Aliens is good. This is of course ridiculous. Alien is great (because everyone except Ridley Scott did a great job and Scott did an OK job) but Aliens is a downgrade on all fronts and Cameron opened the gates for stuff like the french Aliens vs Crusty Jugglers sequel, the Aliens vs Predators franchise, Prometheus: Aliens Begins, and he also infused juice into the Space Marine trope and made them look cool and relatable.

      David Fincher tried to reverse everything that Cameron screwed up (similar to how JJ Abrams tried to reverse everything about the Last Jedi, but good) , making a grounded, minimalist, and gay club themed alien movie, and he was crucified for it. The “fans” demanded more space marines and wacky adventures and more alien life stages. So to punish them even more, the producers gave them Aliens vs. French Mimes as a giant fuck you (the “fans” deserved it though)

      anyway, in conclusion, a melting terminator doesn’t make sense. there’s like 1000 years of tech research between “skinwalker” and “melty man” yet they come from roughly the same era. this is never explained (or maybe it is, who cares)

    • ashinadash [she/her]@hexbear.netOP
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      2 个月前

      Last time I sincerely said “popular thing bad” redditors were insinuating that I get paid to do it. I think it’s because I gave it a flippant and hyperbolic title, again, oops. T2 might be bad but it’ll never unseat irredeemable shit like Year of the Dragon.