CDs are in every way better than vinyl records. They are smaller, much higher quality audio, lower noise floor and don’t wear out by being played. The fact that CD sales are behind vinyl is a sign that the world has gone mad. The fact you can rip and stream your own CD media is fantastic because generally remasters are not good and streaming services typically only have remastered versions, not originals. You have no control on streaming services about what version of an album you’re served or whether it’ll still be there tomorrow. Not an issue with physical media.
The vast majority of people listen to music using equipment that produces audio of poor quality, especially those that stream using ear buds. It makes me very sad when people don’t care that what they’re listening to could sound so much better, especially if played through a hifi from a CD player, or using half decent (not beats) headphones.
There’s plenty of good sounding and well produced music out there, but it’s typically played back through the equivalent of two cans and some string. I’m not sure people remember how good good music can sound when played back through good kit.
As a vinyl dork who a huge music fan, it’s definitely a way to support artists but let’s not pretend that vinyl sound better, technically CDs will always be more clear, but I happen to enjoy the warmth of vinyl even if it’s not as perfect as CD audio.
Like watching a recording of a play and the play itself.
The recording won’t ever miss a line, is clean, a known quantity.
A play is great but also potentially imperfect which is possibly part of the experience some people look for.
Some might argue that both are recordings so why not get the cleaner one, LOL. ;-)
That said, I don’t really collect my music in any meaningful way, but I can still see the appeal of vinyl. The actual soundwaves from your favorite artist (theoretically… digital masters? What? :-) ) actually moved a membrane that was amplified to move a needle to cut a master, that was copied by mushing something hot and squishy until it had an imprint of those same actual soundwaves. It’s all very tactile and dramatic and connected. Like going to Grauman’s theater and seeing the stars’ handprints.
Then there’s the fact that the record could theoretically have captured sound that the digital process intentionally discards as part of its encoding algorithm. Something about that possibility of being nearer to perfection has to hold some appeal as well.
Plus the covers are pretty.