FunkyStuff [he/him]

  • 14 Posts
  • 367 Comments
Joined 3 years ago
cake
Cake day: June 9th, 2021

help-circle












  • 07 the immortal science of rejecting creepy weirdos pays off once again

    Continuing on with the anti-auteur thought, anyone else have thoughts on Chung Seo-Kyung’s movies with Park Chan-Wook? It kinda jumped out to me how his filmography before collaborating with her was doing far, far worse in terms of the depth of the characters, especially women. His main hit from this period (and arguably the main reason he’s known outside of Korea) is Oldboy, which while still being a stellar movie, has only 1 woman with any agency who is repeatedly assaulted and is shown almost no sympathy, despite the fact she’s the biggest victim of the movie. Even worse, Oh Dae-su attempts to assault her in the first act, and nothing happens! It’s just brushed off! Joint Security Area did a lot better before Oldboy, yet I think the movie failed to really present the complex internal world of the investigator, only slightly touching on her backstory and bringing forth the internal conflict in the third act in a much shallower way than you’d see in his later filmography; instead it mostly dwells on the personal and geopolitical conflict of the Korean troops. That’s not really a fair criticism, just a missed opportunity. I think when Chung Seo-Kyung starts writing his movies, though, they start to come out a lot better in that department, and they all tend to have these incredibly rich, three-dimensional characters with complex characterization. It works particularly well with Park’s style of presenting convoluted plots that can unravel those characters’ layers with flashbacks, back-and-forths, and reveals. Seriously, the presentation is the whole reason a movie like Decision to Leave works, there’s no better way to present these ridiculously layered characters that Chung Seo-Kyung comes up with.

    I argue that as much as these directors have their weaknesses and the fans often overly center on the directors as the auteurs and sole driving force behind the success of great films, it’s worth recognizing that when you aren’t an egotistical jerkoff like Coppola, a director can grow across their career and build up a team of other skilled creators. There’s a lot of other examples, Scorsese with Thelma Schoonmaker, Fincher and Brad Pitt (ok, both varying degrees of horrible), Kurosawa and Hashimoto, etc. So if anything, the issue with Coppola is that it appears he’s alienated the people he worked with that were complementing his skills with their best contributions.


  • IMO you’re wrong to assume that forcing all labor actions to be illegal will unshackle a very powerful labor movement in the US. Surveillance is a hundred times what it was in the apogee of the labor movement. The thing that made the labor movement strong at that time was the material conditions of the time: America was rapidly industrializing and conditions were very poor for workers. Now, while conditions are obviously far from good, the neoliberals seem to have found a compromise for labor aristocracy to get enough shallow pleasures on borrowed money that US labor is nowhere near as radical as before, and offshoring industry has globalized the reserve army of labor (making the entire periphery scabs).

    I expect that Teamsters and unions involved in logistics will continue to go hard because they have uniquely loadbearing functions.






  • Right, but when they go to the IMF for assistance, the IMF usually asks them to start privatizing these things if they want any help. In my own country, the Americans’ financial supervision board, that functions as a personalized IMF, twisted our government into privatizing our electric grid. They sold it off to an American energy company because we’re literally an American colony. This case is not too hard to figure out, that’s just plain old corruption.

    Yet there’s similar cases all over the Global South, where the institution that gets privatized is not sold off to a multinational, and instead remains in local hands (but private). The IMF’s privatization programs aim to privatize just about anything the state owns; extraction companies, manufacturing, finance, etc.