Ouais il y en a un a saint-étienne aussi : La Bricoleuse.
Music composer, game designer and cybermancer.
Ouais il y en a un a saint-étienne aussi : La Bricoleuse.
Solium Infernum : strategy game, with a lot of diplomacy mechanisms ( like you can’t attack directly an enemy but you can ask them to pay you tribute, if they refuse you can attack on response).
Fruity Loops doesn’t have any easy equivalent on Linux. I’d say try reaper and ardour as they provide windows binaries. Be careful LMMS isn’t a FL clone, it’s midi only.
For the Arturia plugins you can install them with wine and use yabridge to make them compatible if they are not in vst compatible format (ardour can take vst2 and vst3 but sometimes it will not work). You can also have a dedicated PC for instruments (it is what I do) on windows (using audio gridder). Gotta test the Linux server version of audio gridder to see if I can go back to linux on m’y second PC. Or you can just send the midi notes to pc2 then get the audio out to pc1.
It’s doable to make proprietary plugins run on Linux but the reliability is the nightmarish part, as an update can break the wine compatibility and it can take a few mins/hours to restore.
It’s a real issue because, technical aspect aside, lots of instruments cost a lot of money and are necessary to keep up with the trend. Also theses plugins can save you a lot of time, meaning you can provide more music on short time (effect plugins are concern as well here).
Name, address, GPS localisation data, habits (like apps you often use, moments you use one device or another), gender, search terms in search engines, open web pages on a web browser, connection (other person you know), the work you do and where you work.
All kinds of things, really.
The usage is mostly advertising or identity theft.
As a professional music composer myself and working on Linux with Ardour, I’d say it is overall pretty good since many years. If you don’t like midi in Ardour you can use another soft to runs midi notes. On Linux the good thing is that if you don’t like something you can change, specially with audio softwares.
To me the two major issues with professional music on Linux are :
Proprietary plugins for virtual instruments are a nightmare (hard to make them to work, expensive on machine’s resources and unreliable),
Most company still think free software = unprofessional/amateur, which can make it harder to get jobs.
Debian/ubuntu got binaries in their repository.
Yes!
There is two Arkane studios.
Arkane Austin made Prey and Redfall. Arkane Lyon made Dishonnored 1&2 and Deathloop.
Exactement !
Le pire je crois étant le passage sur le fait que les gens publient moins publiquement et plus dans des commune privées, comme si c’était grave. Alors que bon, ça montre que les gens ont enfin compris comment on se sert d’internet !
Le monde toujours a coté de la plaque, c’est quand même un exploit d’arriver a écrire un article sur les RS, la prod de contenu en ligne, internet et les communautés en ligne sans jamais parler de d’alternatives aux géants du web et du développement des communautés les plus historiques du web… Quel bande de naze…
Les sénateurs ne sont pas élus au moment des législative.
If you got the money, you can pay for whatever you want that’s legal. No needs to justify yourself at all.
And ?
The wrong is that older people know more, because they had more time to learn things.
What’s sad is older people actually knowing less than gen-z or gen-y…
I didn’t know, thank you :)
Maybe this: https://tournesol.app/ could be of some help ?
Yes I know.
As I say using copyleft work on other platforms is doable. On YouTube it’s doable if you make a derivative work, but on peertube ou dogmazic.net for instance it is perfectly fine.
But as I say maybe I understood wrongly the initial question…
I think someone at ubi played Astrobot and thought “wait a minute”…