C’est ça, en pratique si tu refuses l’audition libre, tu te retrouves en garde à vue direct.

Gimp and Darktable should do the trick !

Le stockage est pas énergivore si tu utilises le matériel existant (encore qu’il y a un coût pour faire tourner le matériel, c’est pour ça aussi qu’on peut avoir du matériel de stockage qui est éteint la plupart du temps pour économiser encore plus d’énergie), pas si tu en fabrique exprès du nouveau pour pouvoir stocker plus = le gros coup c’est la fabrication de matériel, pas le fait d’avoir une donnée qui dort sur un serveur.

Écologiquement les usages les plus énergivores sont les IA (beaucoup de stockage pour l’entraînement des modèles) et la vidéo (Twitch, Youtube, Tik-Tok). En l’occurrence, le problème n’est pas tant le stockage lui-même, mais le fait que ces plateformes font tout pour qu’on upload toujours plus de contenus sans même se poser la question de leurs stockage ni de leurs conditions de transfert. Par exemple bon nombres de contenus sont à la fois sur Twitch, sur Youtube et sur Tik-Tok et ça c’est pas vraiment écologique. De même qu’il est plus écologique de télécharger une vidéo, plutôt que de la regarder en streaming : hors le streaming est encore un comportement encouragé par ces plateformes.

Lemmy/piedfed, Mastodon, Mobilizon, pixelfed, bref les trucs habituels…

Welcome and congrats on your migration under GNU/Linux.

VST is a proprietary format therefore it is made to not work on linux. On linux synth or virtual instruments are LV2 plugins (like Helm, Surge or Vitalium) or SF2/SFZ soundbank (played with Sfizz or Fluid Synth).

Now Ardour, Bitwig and Reaper can load VST plugins, but :

• Some won’t just work,
• Some will work pretty much the same (Kontakt seems to be working for some person, but it depends on the version I think), BUT if the VSTs needs to be installed before hand (like Kontakt, Spitfire, SINE and I think Arturia V falls into that), you will have to install them first using Wine (or with a wine front-end, like Bottles, Heroic, Lutris). Then load them in your DAW, if they don’t work there after being properly download and installed, I don’t think there is anything much to do… … Apart from try using a bridge (like Lin-VST or Yabridge), but here against results are still very unpredictable. I got some pretty good results with both on the past, but on my new setup none would work for my plugins (Spitfires mostly).

These companies won’t make their plugins available under Linux cause ‘there isn’t enough people using it on linux’ (words of someone at Spitfire who I was asking the question).

My workflow for production in a few words :

• One PC (recording, mixing, mastering) with a midi keyboard,
• One PC virtual instruments only, I use it when project requires lot of instrument tracks.

Edit : Yeah Carla can be used as well, it can load VST plugins and act like a plugin library (pretty much like Kontakt).

Try using audacity/tenacity with each mic on one stereo channel, press recording and link the output to OBS.

Déjà dans un monde d’abondance, tu pourrais être salarié au lieu d’être intermittent.

Eve Online!

On the home page : https://dogmazic.net/ On the right you have 4 foldable menus, the fourth one is a radio player. It’s playing all the content of the archive at random (be careful as there are a lot of weird stuff ;o)

Dogmazic! Dogmazic is one of the primary free music download managers in France. Dogmazic was created in December 2004 by the Bordeaux-based Association Musique libre!, a major component of the French free music movement. Dogmazic’s database contains roughly 2000 artists, largely but not exclusively from France. All of Dogmazic’s music is licensed under terms that permit free redistribution, such as Creative Commons licenses and the Free Art License. Dogmazic does not carry any advertising.

https://en.wikipedia.org/wiki/Dogmazic https://dogmazic.net/

It"s a top-down shooter, plain and simple.

Le bureau, le bureau.

Tu devrais aller le proposer au Tribunal Des Bureaux (tenu par Ackboo, sur Canard PC, ils ont un discord je crois), a priori il y a encore du taf pour être au top…

On the DAW, the three are good, I use Ardour cause it’s a free software, but I’ve been told the other two are good, specially for people coming from ableton who want something close. Ardour is really a old-fashioned daw like pro-tools.

Check Librazik it’s a distro based on debian made for musicale production.

I’d say you don’t need a specific distro for what you want to do : a Debian or Arch with KDE could do the trick, but I would recommend to use a lighter desktop environment like Xfce. You may not like it coming from mac but it will preserve machine resources for your audio work.

Ardour runs pretty much on it’s own on any distro, you can still do some conf, I suggest to go to linuxmao.fr the website is mostly in French but have a lot of configuration documentation.

This audio interface will not be an issue as it’s plug and play on Linux since a while now.

• Yes they are afraid to not being able to live, but is the incentive to sell your art or die make them happy ? I doubt it.
• I’m not for abolishing intellectual property. In fine artist who don’t want to be share shouldn’t, but the fact is most artist aren’t ready to defend their art in court to get their will respected. They prefer to wait for the magical technological miracle that will save them, exactly like the rest of us.
• Rarity is still a topic here, because in itself selling art online doesn’t bound the file sell to the usage of the person who bought it. AI doesn’t prevent artists to sell their art, but it feels like it didn’t it ? Why ? Because the art is even more largely accessible to commoners and we don’t want that because it is lowering the value of art. But it’s just the financial value of the piece that gets to go down, not the real interesting value.

The problem with this tools is they don’t protect human art, they protect human art into a capital liberal economic framework.

Artists prefers to show lesser quality of their work to the audience, because with glaze the change is noticeable as artefacts, rather than changing the way they diffuse their art.

You want justice ? Start acknowledging the fact that internet isn’t anything alike physical space therefore art can and should be shared and used wieldy. Second fact is the way artists are making money is still based on art rarity, which online is just inapplicable bullshit and it’s actually a form of cultural domination. It’s a model made for physical works, not online ones.

Faudrait peut-être savoir se qu’on veut : plus d’enfants ou moins d’enseignants ? Les deux ça peut pas marcher…

Bah toi tu confonds l’expression de la détresse et l’expression d’une domination.

En mélangeant les causes, tu amalgames les différences entre les points de vue, tu met au même niveau un nazi (donc actif dans une guerre et dans l’extermination de plusieurs peuples) et de l’anti-américanisme ou de la misandrie, qui encore une fois est plutôt minoritaire. Tous ça au service d’une espèce d’absolutisme idéologique.

Honnêtement je pense qu’on est plutôt d’accord sur le fond. Mais c’est un peu naze de finir une conversation plutôt intéressante en traitant l’autre de troll.

Acceptable dans quel sens ? Moralement ? Juridiquement ? Pénalement ? Socialement ?

Si je comprend bien, tu prend ton cas personnel de magnanimité comme base pour invalider certaines réactions (probablement minoritaire) et tu les mets au même niveau que la misogynie systémique ou le racisme systémique. C’est bien ça ?